RESUME

 

Full CV available upon request.

 

PROFESSIONAL EXPERIENCE

March 2023 – Present

July 2019 - March 2023

2021 - 2022

2017 - 2020

January - June, 2019

2017 - 2019

October - December, 2018

July - September, 2018

June - September, 2018

February - June, 2018

2016 - 2018

2014 - 2016

Video Preservation Specialist, AVMPI, Smithsonian Libraries & Archives, Washington D.C.

Preservation Archivist, Blackhawk Films Collection, Academy Film Archive, Los Angeles, CA

Program Manager of Online Education, Association of Moving Image Archivists (AMIA), Los Angeles, CA

Assistant Archivist, Bob Baker Marionette Theater, Los Angeles, CA

Film Preservation Intern, Academy Film Archive, Los Angeles, CA

Contractor, Estate of George and Mike Kuchar, Los Angeles, CA

Media Conservation Intern, Getty Research Institute (GRI), Los Angeles, CA

Cataloging Intern, UCLA Film & Television Archive, Los Angeles

Production Intern, Producer’s Library Service, Los Angeles, CA

Contractor, Sequoia Kings Canyon National Park/UCLA Preservation Lab, Los Angeles, CA

Film Assistant, Conner Family Trust, Los Angeles, CA

Administrative & Research Intern, Conner Family Trust, Los Angeles, CA

EDUCATION

2019

2005

2004 - 2005

Masters of Library Information Sciences (MLIS), Dean’s Scholar

Media Archival Studies

University of California, Los Angeles, Los Angeles, CA

Bachelor of Arts (BA), Magna cum Laude

Contemporary Art History Major & Gender Studies Minor

University of the Pacific, Stockton, CA

Visual Cultures Department / Study Abroad

Goldsmiths College, London, UK

PRESENTATIONS & PUBLICATIONS

2022

2021

2019

2018

Airtable Show & Tell Panel, AMIA Annual Conference, Pittsburgh, PA

Describing the Ken Kesey and Merry Pranksters Audiovisual Collection, AMIA Spring Online Conference

Knowledge Obsolescence in Audiovisual Preservation, No Time To Wait (NTTW4), Budapest, Hungary

Sustaining The Profession: Continuing Education, Professional Advocacy, and Equity Panel, AMIA Annual Conference, Baltimore, MD

Bastard Film Encounter, Baltimore, MD

"Preserving Place: Moving the Bob Baker Marionette Theater,” Performance! Newsletter of the Society of American Archivists (SAA)

The Bob Baker Marionette Theater: Archiving with Oral Histories, Association of Moving Image Archivists (AMIA) Annual Conference, Portland, OR

​CONFERENCES & SYMPOSIA

AMIA Annual Conference, Pittsburgh, PA

NTTW5 Online Conference

AMIA Winter Online Conference

AMIA Spring Online Conference

AMIA Annual Online Conference

NTTW4, Budapest, Hungary

AMIA Annual Conference, Baltimore, MD

The Reel Thing XLV, Los Angeles, CA

Bastard Film Encounter, Baltimore, MD

AMIA Annual Conference, Portland, OR

BitCurator User Forum 2018, Los Angeles

The Reel Thing XLIII, Los Angeles, CA

Orphan Film Symposium, Queens, NY

AMIA Annual Conference, New Orleans, LA

The Reel Thing XXXV, Los Angeles, CA

 

2022

2021

2020

2019

2018

2017

2015

 

​WORKSHOPS & CLASSES

2022

2021

2020

2019

2018

2017

2016

2015

Bash Scripting for Audiovisual Preservation, AMIA Webinar Series, January 25 – February 22, 2022

Describing Archives: A Content Standard (DACS Fundamentals), SAA Online Course, November 8-9, 2021

Diving Deeper with Digital Preservation Tools Using the Command Line Webinar, NEDCC, April 24, 2020

ArchivesSpace and Airtable for Improved Workflow Management, SCA Webinar, December 11, 2019

Archivist's Guide to QuickTime, AMIA Conference Workshop, New Orleans, LA, November 28, 2018

Library Carpentry Workshop, YRL, UCLA, Los Angeles, CA, May 24-25, 2018

Getting Started with GitHub, YRL, UCLA, Los Angeles, CA, March 23, 2018

Improving Descriptive Practices for Born-Digital Material in an Archival Context, SCA Workshop, Los Angeles, CA, November 3, 2017

16mm Editing Workshop, Echo Park Film Center, Los Angeles, CA, 2017

History, Identification & Preservation of Motion Picture Materials, California Rare Book School (CalRBS), Los Angeles, CA, 2016

Intro to 16mm Filmmaking & Hand Processing, Echo Park Film Center, Los Angeles, CA, 2015

 

SELECTED PROGRAMMING

2022

2020 - 2021

2019

2018

2007 - 2012

2008

2022 AMIA Calendar of Online Continuing Education, AMIA Program Manager for Online Continuing Education

AMIA Quaranstream Webinar Series (Full List of Programming), AMIA Continuing Education Advisory (CEA) Task Force

Rewind & Hit Play Mini-Conference, Charles E. Young Research Library, UCLA, Los Angeles, CA

Archival Screening: Recently preserved material from the Bob Baker Marionette Theater Audiovisual Archives & Library, Bob Baker Marionette Theater, Los Angeles, CA

Solo Curated Exhibitions, TARTINE, San Francisco, CA

Club Sandwich & Canyon Cinema present: A Night of 16mm Experimental Silent Films with live improvised score by EXTRA LIFE, Golden Gate Park, San Francisco, CA

Club Sandwich Double Feature: Benjamin Smoke & Building a Broken Mousetrap, Two Films by Jem Cohen, Oakland Sol, Oakland, CA

Club Sandwich & Canyon Cinema present: 16mm Animations of Lawrence Jordan, Artist Television Access (ATA), San Francisco, CA

 

AWARDS & SCHOLARSHIPS

2019

2018

2017

2016

2012

No Time To Wait Travel Grant, NTTW4

Community Fund Travel Grant, AMIA

UCLA/Mellon Foundation Internship Project Recipient, Bob Baker Marionette Theater

George Blood Women in Audiovisual Archiving and Technology Scholarship, AMIA

MLIS Professional Programs Committee Travel Fund, Information Studies Dept., UCLA

Theresa and Roy Aaron Fellowship, Graduate School of Education & Information Studies (GSE&IS), UCLA

Kress-Murphy Scholarship, California Rare Book School, UCLA

Feedforward Curatorial Residency, Liminal Space, Oakland, CA

 

PROFESSIONAL ENGAGEMENT

2016 - Present

2023

2019 - 2022

2017 - 2022

2021

2019 - 2021

2017 - 2020

Member, Association of Moving Image Archivists (AMIA)

Grant Review Panelist, Bay Area Video Coalition (BAVC) Preservation Access Program

Co-Chair, Continuing Education Advisory (CEA) Task Force, Association of Moving Image Archivists (AMIA)

Member, Society of California Archivists (SCA)

Grant Review Panelist, National Endowment for the Humanities (NEH), 2021

Board Member, Al Larvick Conservation Fund

Member, Los Angeles Archivist Collective (LAAC)

TECHNICAL SKILLS

  • Film — 8mm, Super8mm, 16mm, 35mm

  • Tape — ¼” open reel, DAT, 1” open reel, Hi8, miniDV, VHS, S-VHS, Betamax, BetacamSP, Digital Betacam, U-matic

  • Handling & Repair — rewinds, flatbeds, splicing (tape, cement, preservation), A-D strips

  • Archival Platforms — Airtable, ArchivesSpace, Axiell Collections, ContentDM, FileMaker, Omeka, data visualization applications

  • Open Source — Bash/Command Line, FFmpeg (beginner), RAWcooked, Open Refine, RegEx

  • Editing Software — Adobe Premiere, Avid, Black Magic Express

  • 3D Rendering — Google SketchUp

  • Social Media — Facebook, Instagram, Twitter, Slack, Squarespace, Tumblr, Wix, Wordpress

  • PC & MAC Platforms — Adobe Suite, Google Suite, Microsoft Office Suite

 

VOLUNTEER WORK

2021 - 2022

2020 - 2021

2019

2018

2016 - 2017

2013 - 2015

Web Designer, Silent Movie Day

AMIA Online Pop-Up Shop Manager, Los Angeles, CA

Student Volunteer, Bastard Film Encounter, Baltimore, MD

Student Volunteer, Hugh M. Hefner Moving Image Archive, School of Cinema Arts, USC, Los Angeles, CA

Co-Organizer, Home Movie Day, Los Angeles, CA

Volunteer, Home Movie Day, Los Angeles, CA

Cook (a.k.a. Volunteer Bicycle Mechanic), Bicycle Kitchen, Los Angeles, CA


 
 
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